
IMMERSE YOUR SOUL IN LOVE (2011), Digital Art
UK Based Artist, Writer & Photographer.
www.riverhunt.org
|
||||||
|
Just thought I’d update on a new art project I’m currently working on. I’ve had quite a bit of interest in my Identity Mind Map of late, from other artists, academics and educational institutions. Really my work on identity started out as a side project to other work, but over the years it’s taken a more central role in my art practice, and I eventually ended up completing an MA on the subject. I guess you could say it’s organically developed. Anyway, with this in mind I’ve started researching a greatly expanded mind map, which will attempt to explore identity with much more granularity. It’s my intention to create a highly detailed map of identity, in a similar style to my original, but refining each level to create a visually complex & layered ‘web of identity’. I’ll keep you posted, in the meantime be sure to check out some of my other work in this area, including my ‘Identity Mind Field‘ which is the basis for the next iteration of the identity mind map.
River Hunt UK Based Artist, Writer & Photographer. www.riverhunt.org I D E N T I T Y. Identity, identify, individual, diverse, divisional, diluted. My work has focused on areas of Identity over the last several years, of which you will find numerous references throughout this site, taking various perspectives on how art can be seen as a reflection of identity, and indeed how identity can be seen as a reflection of the art we create. I’ve come to understand that the process of creating art changes the artist in some way. We apply such a focus on externalising our emotion, our inner ‘vision’, that the process of looking actually changes that which we look at- an exorcism of sorts. The externalisation of thought, processed and transformed by our consciousness. The outcome of the artist is usually for the viewer to feel something, to have a reaction to the work in some way- to disrupt the everyday patterned thinking and lodge a new idea or emotional fingerprint into that person’s experience. To achieve this, the artist must first experience that which they wish to convey, and in reality, experience a graduated array of emotions and thought as the process of creating the work progresses. The artist ‘feels’ the work is complete at a certain stage, and often must fight logical impulses to keep working. This ‘feeling’, an emotional waypoint, is the critical moment in the works history, and must be listened for and respected if the emotional content and effect is to be conveyed with full, raw intensity. When I think back to art that has impacted me in some way, I find that there is commonality. The work in question often caught me unaware, or disrupted my chain of thought to such an extent that IT BECAME MY REALITY for a few short moments. This communication is below the ‘logical’ level of the mind and interfaces more directly with our emotions. Of course not all viewers would be similarly affected, the work instead lies in wait for those predisposed to its message- silently waiting to memetically hatch from its frame, it effectively has an ‘identity’ target market. Our identity, our current focus, our current priorities all affect the response, and often that response will be to walk on by, our minds filters never letting the work past the first stage of awareness. However, from time-to-time a ‘match’ wil be found, and our attention becomes attuned to the work. Arts effectiveness is in appealing to those core human facets of identity and emotion. Everything we were, are and hope to be reflected back at us as if we are experiencing it for the first time. Identity in art is more than creating art that is personal to the artist- all art is personal to some degree. Our identity provides the ‘environment’ in which the work is created, and perhaps more significantly- defines the audience with whom the work will most intensely resonate.
River Hunt UK Based Artist, Writer & Photographer. www.riverhunt.org Dust & Innocence (2010) Standing waiting for a sign Seething quietly inside This life is too special- The loss of love, Feeling empty and so cold This life is too special- This love’s not over, River Hunt UK Based Artist, Writer & Photographer. www.riverhunt.org Here is a triptych on the theme ‘England’. These photographs were made as part of my new fine art photography group on Flickr. You can find out more (and participate if you’d like) here: http://www.flickr.com/groups/monthlyphotochallenge/
ENGLAND (NEW HOPE), 2010
ENGLAND (PEACE), 2010
ENGLAND (NEW BEGINNINGS), 2010
River Hunt UK Based Artist, Writer & Photographer. www.riverhunt.org ‘My Life In Post-it Notes’ started as a relatively small series back in 2006, as part of a wider ‘Identity Art’ series. I’ve been using post-it notes as an artistic medium for around 10 years, and have a produced a collection of over 1000 works in that time. The following post-it note artwork dates from February – October 2010. Here follows a selected number of those works, a wider collection can be found on my Flickr gallery. River Hunt UK Based Artist, Writer & Photographer. www.riverhunt.org A Falling Through (2009) Dust does settle upon weary hearts Echoes of a love so true Fate had played its hand so cruel Oh how I yearn for your old song And so we hold hands and pray Sleep in peace now you’ve left River Hunt UK Based Artist, Writer & Photographer. www.riverhunt.org
Inspired by Tamany Baker’s photographic series ‘Living With Wolfie’, my poem is a eulogy to a garden bird. The bird has a rich history in symbolism, and in this context can be seen to symbolise the flight of man’s soul from the physicality of the body. Liberation- A FALLING THROUGH, 2010 River Hunt UK Based Artist, Writer & Photographer. www.riverhunt.org |
||||||
|
Copyright © 2004-2012 River Hunt - All Rights Reserved
|
||||||